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6 Month Special Financing* on orders totaling $199 and above.
12 Month Special Financing* available on orders totaling $599 or more.
Order minimum excludes sales tax, shipping fees, and discounts. To receive special financing, simply pay with the Samy's Camera Credit Card and select the financing option during checkout.
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Applying for an Samy's Camera Credit Card is fast and easy. The application is subject to approval by Synchrony Bank. If approved, we'll automatically add your Samy's Camera Credit Card to your account at checkout. Select the Samy's Camera Credit Card under the payment information to pull up your available account information. You will receive your Samy's Camera Credit Card in the mail within 7-10 business days after applying.
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All orders must be shipped to the billing address on file for final approval of transaction. We can not ship to an alternate address.
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Samy's Camera Credit Card, issued by Synchrony Bank.
No Interest if Paid in Full Within 6 or 12 Months*
On purchases of $199 or more (6 months) or $599 or more (12 months) made with your Samy's Camera Credit Card. Interest will be charged to your account from the purchase date if the promotional balance is not paid in full within 6 or 12 months. Minimum monthly payments required.
*All orders must be shipped to the billing address on file for final approval of transaction. Qualifying purchase amount must be on one receipt. A Promo Fee does not apply to this offer. No interest will be charged on the promo balance if you pay it off, in full, within the promo period. If you do not, interest will be charged on the promo balance from the purchase date. The required minimum monthly payments may or may not pay off the promo balance before the end of the promo period, depending on purchase amount, promo length and payment allocation. Regular account terms apply to non-promo purchases and, after promo period ends, to the promo balance. New Accounts as of 7/16/24: Purchase APR 34.99%. Penalty APR 39.99%.Min Interest Charge $2. A promo fee will be charged equal to 2% of the amount financed on an equal payment no interest promotion of 18 months or more. Existing cardholders: See your credit card agreement terms. Subject to credit approval. We reserve the right to discontinue or alter the terms of this offer anytime.
** New Accounts as of 7/16/24: Purchase APR 34.99%. Penalty APR 39.99%.Min Interest Charge $2. A promo fee will be charged equal to 2% of the amount financed on an equal payment no interest promotion of 18 months or more. Existing cardholders: See your credit card agreement terms.
The Canon RF 70-200mm f/2.8L IS USM Z Lens (White) represents Canon's response to photographers and videographers who needed a telephoto zoom lens that doesn't change length during operation. This internally zooming, internally focusing L-series telephoto combines constant f/2.8 speed throughout its 70-200mm range with professional features designed for both stills and motion work.
Answering the demand for an internally zooming, internal focus F2.8 telephoto zoom lens, Canon engineers listened to the market and delivered. Whether you are a sports photographer shooting against the glass at a hockey game, or balancing a camera and lens on a gimbal for a video production, this Canon RF 70-200mm f/2.8 L IS USM Z Lens (White) will definitely be a professional's "must have" in their kit.
The white thermal barrier coating helps reduce heat buildup in bright sunlight, making this lens particularly useful for outdoor sports photography, wildlife work, and video production where extended shooting sessions are common. For photographers working with Canon cameras in the RF system, this lens delivers the reach and speed that professional work demands.
This lens shares its case design and build philosophy with the RF 24-105mm f/2.8L IS USM Z, but adapts that platform for telephoto performance. The fixed external length eliminates the need to rebalance when zooming on a gimbal or tripod, while the 70-degree zoom rotation provides quick focal length changes with minimal ring movement.
Taking the same build and case as the recently introduced and wildly popular RF24-105 F2.8 L IS USM Z this lens will be a workhorse for both still and video creators. Photographers will notice the very short zoom ring rotation, making quick changes from 70-200mm with just a push or pull of your thumb.
Dual Nano USM motors drive two floating focus groups independently, delivering fast and quiet autofocus that suppresses focus breathing during video recording. The manual, lockable iris ring enables precise aperture control for video work and functions with still photography on compatible bodies like the EOS R5 Mark II and EOS R1.
The fixed external length addresses a fundamental challenge for gimbal operators and videographers. Traditional extending zoom lenses shift the center of gravity as you zoom, requiring constant rebalancing. The RF 70-200mm f/2.8L IS USM Z maintains its balance point throughout the zoom range, allowing smooth operation on stabilizers, gimbals, and tripods without adjustment.
This design also benefits sports photographers working in tight spaces. When shooting from press boxes, stadium seating, or anywhere space is limited, the lens won't extend into adjacent photographers' working areas. The 82mm filter size matches the RF 24-105mm f/2.8L IS USM Z, allowing lens filters to be shared between the two lenses.
Canon's optical formula includes 2 Super UD (ultra-low dispersion) elements and 1 additional UD element to minimize chromatic aberration across the zoom range. Three aspherical elements, including two of Canon's advanced GMo (glass-molded) aspherical designs, correct for spherical aberration and maintain high resolution from center to corner.
The 11-blade rounded aperture produces smooth bokeh characteristics that remain consistent even when stopping down from f/2.8. Air Sphere Coating (ASC) on the front element significantly reduces lens flare and ghosting in challenging backlit conditions, while Canon's Super Spectra coatings further enhance contrast and color accuracy.
Maximum magnification reaches 0.3x at the minimum focus distance of 26.8 inches, making this lens capable of tighter framing than many telephoto zooms in this class. This close-focus capability expands creative options for environmental portraits and detail work without requiring a dedicated macro lens.
Two Nano USM motors drive the dual floating focus system, with each motor operating independently to position its respective focus group. This configuration delivers fast autofocus acquisition and smooth tracking, while the quiet operation benefits video recording. Focus breathing is actively suppressed, maintaining consistent framing as focus shifts between subjects.
The optical image stabilization system provides 5.5 stops of correction when used alone. When paired with in-body image stabilization on cameras like the EOS R1, the coordinated IS system achieves up to 7.5 stops of stabilization at the center and 7.0 stops at the corners. This level of correction enables handheld telephoto photography in lighting conditions that would traditionally require a tripod.
The manual iris ring provides click-stop operation for photography and smooth, stepless aperture adjustment for video production. The ring can be locked to prevent accidental changes during shooting. Two customizable lens function buttons and a control ring provide quick access to frequently used camera settings without reaching for camera controls.
Compatibility with Canon's PZ-E2 Power Zoom Adapters transforms the lens into a cinema-style zoom with electronically controlled zoom speed. The PZ-E2B includes a 20-pin port for integration with professional video accessories like the Digital Zoom Demand ZSD-300D. These adapters attach tool-free and can be operated manually, via Canon's Camera Connect app, or through Canon's XC Protocol on compatible cameras.
For videographers transitioning from Canon's CN-E cinema lenses, the RF 70-200mm f/2.8L IS USM Z offers comparable functionality in a lighter package. The internal zoom design prevents the frame-pumping effect that occurs when traditional extending lenses change their physical length during recording.
The lens maintains full functionality with both the Canon RF Extender 1.4x and RF Extender 2x throughout the entire 70-200mm zoom range. With the 1.4x extender, the lens becomes a 98-280mm f/4, while the 2x extender transforms it into a 140-400mm f/5.6. Autofocus continues to function with both extenders, and image stabilization remains active.
This extender compatibility effectively provides three focal length ranges in a single system. Sports photographers can use the native 70-200mm range for most work, add the 1.4x extender when subjects are farther away, and deploy the 2x extender for maximum reach when distance demands it.
L-Series level durability and weather-resistant construction for use in harsh environments helps ensure reliability and dependability.
Weather sealing at the lens mount, control rings, switch panel, and throughout the barrel protects internal elements from dust and moisture. The fluorine coating on the front element resists water, oil, and fingerprints, allowing quick cleaning without solvents. This construction supports outdoor shooting in challenging weather conditions, from rain and snow to humid tropical environments.
The included tripod collar provides solid support and smooth rotation for switching between horizontal and vertical orientations. The collar is among Canon's best RF implementations, with secure locking and balanced weight distribution that prevents camera strain during handheld shooting. Photographers can protect their investment with lens cases designed for telephoto lenses in this size range.
The white thermal barrier coating serves a practical purpose beyond aesthetics. Light-colored surfaces reflect more heat than dark surfaces, reducing internal temperature rise during extended outdoor shooting sessions. This thermal management becomes relevant for sports photographers working through multi-hour events in direct sunlight, where internal heating can affect electronic performance.
Professional sports photographers often prefer white telephoto lenses for their lower heat absorption and their visibility on the sidelines, making it easier for security to identify credentialed photographers with professional equipment. The white finish has become the traditional appearance for professional telephoto lenses, though the black version of this lens offers identical optical and mechanical performance.
Sports photographers working from press boxes, field positions, or arena seating rely on this focal range for action coverage. The constant f/2.8 aperture maintains fast shutter speeds in indoor arenas and evening games, while the internal zoom design eliminates rebalancing during rapid focal length changes.
Wedding and event photographers use the 70-200mm range for ceremony coverage, allowing discreet shooting from the back of venues without disturbing proceedings. The quiet autofocus and stabilization system support handheld work in low-light reception venues where flash is inappropriate or prohibited.
Wildlife photographers benefit from the close-focus capability and extender compatibility, enabling everything from environmental habitat shots to detailed portraits of distant subjects. The weather sealing supports field work in unpredictable conditions where equipment must withstand the elements.
Videographers and cinematographers working with gimbals or cinema rigs appreciate the fixed external length and Power Zoom Adapter compatibility. Single-person production teams can control zoom and focus remotely, while the suppressed focus breathing maintains professional image quality during rack focus effects.
Portrait photographers working both in studios and on location use the focal range for head-and-shoulders portraits, environmental portraits, and detail shots. The 11-blade rounded aperture produces smooth background separation, while the close-focus capability enables tighter framing without moving closer to subjects.
No. This lens uses the Canon RF mount and is designed specifically for Canon's mirrorless cameras like the EOS R5, EOS R6, EOS R1, EOS R8, and other RF-mount bodies. It will not mount on Canon EF-mount DSLR cameras without an adapter, and using it with an adapter would negate many of the optical and functional advantages of the RF mount design.
The Z version features internal zoom that maintains a fixed external length, making it optimal for gimbal use and tight spaces. It has 82mm filters versus 77mm on the non-Z, an 11-blade aperture versus 9 blades, higher maximum magnification (0.3x versus 0.23x), a manual iris ring, lens function buttons, and compatibility with Power Zoom Adapters and RF Extenders. The non-Z version is lighter when retracted but extends during zooming. Both deliver excellent optical performance, but the Z is specifically designed for video and gimbal applications.
Yes. The lens maintains full autofocus and image stabilization functionality with both the RF Extender 1.4x and RF Extender 2x throughout the entire 70-200mm zoom range. With the 1.4x, you get 98-280mm f/4. With the 2x, you get 140-400mm f/5.6. The optical quality remains high with both extenders, though using a 2x extender will increase any minor aberrations and reduce light transmission by two stops.
Yes. Light-colored surfaces reflect more sunlight and absorb less heat than dark surfaces. During extended outdoor shooting sessions in direct sunlight, the white coating helps keep internal lens temperatures lower, which can affect both comfort during handling and long-term electronic reliability. The difference becomes most noticeable during multi-hour events like sports tournaments, wildlife observation sessions, or outdoor video productions.
Yes. The lens features weather sealing at the lens mount, control rings, switch panel, and throughout the barrel. The fluorine coating on the front element repels water, making it easy to wipe rain drops without solvents. When paired with a weather-sealed Canon camera, the system can handle light to moderate rain. For heavy rain or extended wet conditions, rain covers provide additional protection, though the lens construction can handle typical outdoor photography challenges.
Yes. The lens mounts and functions fully on Canon APS-C RF cameras. On an APS-C body, the effective focal length becomes approximately 112-320mm due to the crop factor, making it an excellent option for wildlife and sports photography where extra reach is beneficial. All autofocus, image stabilization, and electronic features work normally on APS-C RF bodies.
The optical image stabilization in the lens provides 5.5 stops of correction on its own. When combined with in-body image stabilization on cameras that support coordinated IS (like the EOS R1), the system achieves up to 7.5 stops of stabilization. This coordinated approach corrects for more types of movement and provides better correction than either system working alone. Even on cameras without in-body stabilization, the lens-based IS delivers strong handheld shooting capability at telephoto focal lengths.
The Canon RF 70-200mm f/2.8L IS USM Z Lens (White) delivers professional telephoto performance for photographers and videographers who need constant f/2.8 speed, internal zoom operation, and hybrid shooting capability. From sports and wildlife to weddings and video production, this L-series telephoto combines optical excellence with the practical features that working professionals demand.
Samy's Camera provides expert guidance on lens accessories, extenders, Power Zoom Adapters, and complete RF system solutions. Shop with confidence knowing you have access to over 40 years of photography expertise and complete after-purchase support.
