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Sony PXW-FS7M2 XDCAM Super 35 Camera System
MFR Part #: PXW-FS7M2
Samy's Part #: S-050282
$8,99800
On Backorder
Description
Specifications
Items Included
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The Sony PXW-FS7M2 XDCAM Super 35 Camera System reflects years of intense conversations we’ve had with documentary shooters. In response, we completely redesigned the grip, improved the viewfinder, optimized the balance and refined the ergonomics. Of course, the FS7 also reflects Sony’s expertise in 4K and HD codecs, Super 35 sensors and memory recording. The result is the ideal camera for documentaries—and the optimum tool for magazine shows, reality TV, unscripted TV and more. It's ironic that so-called affordable cameras need to be outfitted with expensive rigs, cages, hand grips and accessory viewfinders before they can be properly handheld. The PXW-FS7 is different. It was designed from a clean sheet of paper to rest comfortably against your chest or sit well on your shoulder. Zoom, Start/Stop and Assign controls are carefully located on the sculpted, telescoping smart grip. Sony supplies a proper viewfinder that's perfectly offset to the left with a huge range of fore-aft adjustment. Sony’s α mount lens system offers unsurpassed compatibility with both Sony and third-party lenses. The FS7’s E-Mount can take Cinema lenses and SLR lenses with a third party adaptor, as well as Sony’s E-mount and A-mount lenses. So whether buying new lenses, or making use of lenses you’ve already purchased, the FS7 makes it easy. High Frame Rate shots can turn everyday actions into slow-motion ballet, a visual feast of elegant movement. The FS7 delivers a maximum of 180 frames per second (fps) continuous shooting in Full HD. If your project plays at the cinematic 24 fps, you get beautiful 7.5x Super Slow Motion. There's no sacrifice in bit depth and no "windowing" of the sensor. So there's no crop factor, no loss in angle of view. The camera also performs Slow & Quick (S&Q) motion from 1 to 180 fps in 1 fps increments. So you can alter the narrative by selectively speeding up or slowing down the action.
Long-form programs need media that's both reliable and affordable. As specified by the CompactFlash Association, XQD™ memory cards score big on both accounts. Reliability comes from in-camera recovery. You get very low cost per minute compared to CFast™ cards. And robust communication between the camera and the card's controller enables read/write speeds up to a sizzling 600 Mbps. Long-form projects shine with Sony's XAVC™ L (Long GOP) recording system. Here's the superior grayscale rendition of 10-bit High Definition, plus the uncompromised detail of 4:2:2 colour—all at budget-friendly data rates of 50, 35 or even 25 Mbps in HD mode. You can also record on-board 4K (4096x2160) at cinema standard 24p*, 59.94p, 50p, 29.97p, 23.98p or 25p. Other formats include the same XAVC I (Intra) QFHD (3840x2160) and Full HD (1920x1080) recordings as Sony's high-end F55, well-accepted MPEG HD 422, the Apple ProRes 422 codec (with XDCA-FS7 extension unit, sold separately), and even outboard RAW recording (with XDCA-FS7 and outboard recorder, sold separately). Sony engineers were on a mission. To provide a sculpted, handheld design that remains comfortable even over the course of long shoots. To support hour after hour of recording—without changing memory cards. To provide the latest in resolution, exposure latitude, and colour reproduction. And to deliver it all in one affordable, practical package. With the PXW-FS7, that mission is a success. When it comes to image sensors, size definitely matters. Sony’s Super 35 sensor delivers "bokeh," the defocused backgrounds made possible by shallow depth of field. A common technique for directing audience attention within the frame, shallow depth of field is far easier to achieve with a large sensor. Other things being equal, a bigger sensor also equates to better low-light sensitivity and lower image noise. And with bigger sensors, the field of view is wider for any given focal length lens. With the FS7 sensor, size is just the beginning.
From freestyle skiing to water sprays to pyrotechnics, High Frame Rates underscore the beauty and drama of everyday motion. That’s why the FS7 provides continuous recording at Full HD at frame rates of up to 180 fps. When you play back at 23.98p, you’ll enjoy extraordinary Super Slow Motion of up to 7.5x. Compared to burst mode, the continuous recording of the FS7 reduces mistimed shots and extra takes. The camera also provides Slow & Quick motion from 1 fps to 180 fps, in 1 fps increments. This enables time lapse effects to make the clouds race by or flowers bloom before your eyes. And for even higher frame rates, you can attach the XDCA-FS7 extension unit and connect an outboard recorder, both sold separately, for 2K RAW recording at up to 240 fps. This creates 10x Super Slow Motion when played at 23.98p. You don't need a matte box to get the advantages of shallow depth of field even in exterior day shoots. A built-in Neutral Density (ND) filter wheel includes positions for Clear, 1/4 (2 Stops), 1/16 (4 Stops), and 1/64 (6 Stops). To keep the PXW-FS7 small, light and easily hand-holdable, Sony engineers reserved some special functions for an outboard module, the XDCA-FS7 extension unit, sold separately. The unit adds powerful capabilities. External RAW recording. To preserve the maximum in colour, contrast and resolution, the XDCA-FS7 enables RAW recording when connected to outboard recorders, sold separately. The XDCA-FS7 supports the vivid colour of 12-bit linear RAW at either 4K or 2K resolution. Use a single BNC cable to connect the XDCA-FS7 to Sony’s HXR-IFR5 interface unit and AXS-R5 recorder, both sold separately. The interface also allows the use of compatible third-party external recorders, such as the ATOMOS Shogun and the Convergent Design® Odyssey 7Q and theequipped with the Sony FS RAW option. Even when you record outboard RAW, you can still record time code-synchronized Full HD on-board, a convenient proxy for offline editing. Apple ProRes 422 recording. Sony understands that some workflows are committed to the Apple ProRes 422 codec. That’s why the XDCA-FS7 supports Apple ProRes 422 and Apple ProRes 422 HQ – 1920 x 1080 recording to an XQD™ card in the camera. Multi-camera operation. The XDCA-FS7 also provides Genlock and Timecode In/Out for multi-camera shoots.
A handheld camera should be able to get you into tight places. To work in your lap. To move with the talent. To shoot high and low angles with equal facility. And a handheld camera should function beautifully against your chest or shoulder, comfortably steadied by your right hand. The Sony FS7 does all of this, and more. The built-in shoulder pad makes for stable shoulder-style shooting, while the curved back sits comfortably against your chest. Another key to handheld comfort is the telescoping arm that holds the smart grip. Adjust the arm length by simply turning a knob. Another knob at the joint adjusts angle. So you can instantly adapt the arm to suit your physique and your shooting position. Sony designed the PXW-FS7 to stand up to the rigors of real-world shooting. The frame is magnesium, for high rigidity and light weight. Buttons, dials and other parts are sealed to prevent dust and water spray from entering. Cooling is an urgent requirement in a high-speed 4K camera. That’s why Sony engineers developed special heat pipes that whisk heat away from the electronics and into a remote heat sink. An air duct cools the heat sink while isolating the electrical components from exposure to dust and water spray.
A pair of heat pipes draws heat away from the electrical components and into the cooling duct. The duct dissipates accumulated heat, while its sealed design prevents the entry of dust, dirt and water spray. The FS7 takes advantage of Sony’s flexible Multi-Interface (MI) Shoe, which provides power, signal connections and coordinated on/off switching to compatible Sony accessories. For example, you can connect and control Sony wireless microphone systems such as the UWP-D11 or UWP-D12 or attach the HVL-LBPC light. The FS7 supports 4-channel audio input. In application such as interview, this function enables the simultaneous use of an external microphone for recording ambient sounds, the built-in microphone for voice memos by the operator, and two optional UWP Series wireless microphones for voice of interviewer and interviewee. In addition, by the use of an optional XLR adapter “XLR-K2M” or ”XLR-K1M” which provides additional 2 XLR inputs, possible applications are further expanded. Like high definition a decade ago, 4K is emerging as a consumer entertainment platform. And Sony is playing a pivotal role in this transition. When we launched the world's first commercial 4K projectors in 2005, we had to explain that a "K" was 1024 horizontal pixels and that "4K" meant 4096 x 2160 resolution. We had to itemize the advantages with tutorials on resolution and seating distance. Today 4K is a robust production platform. It is enshrined in the Digital Cinema Initiatives (DCI) specification. The ITU and SMPTE have both issued 4K standards. And the Consumer Electronics Association is promoting the term "Ultra High-Definition" (Ultra HD) to cover 4K consumer products. Sony 4K products include the world's leading line-up of Digital Cinema 4K projectors, with over 18,000 systems installed worldwide. We also created 4K live broadcasting tools, including production switchers, a monitor, a server and a baseband processor unit. Our line of 4K projectors supports visualization, simulation, auditoriums and post. Our Sony Vegas® Pro 13 software is enabled for 4K nonlinear editing. Our 4K consumer products include the VPL-VW1100ES home theatre projector, televisions, camcorders and even the FMP-X10, a 4K home media player with access to over 200 titles in 4K.
Features:
- Has Super 35-Sized CMOS Sensor, Locking Sony E-Mount
- Integrated Electronic Variable ND Filter and DCI 4K (4096 x 2160) up to 59.94p
- UHD up to 59.94 fps, HD up to 180 fps, XAVC-I/L, MPEG-2, XAVC up to 600 Mb/s
- Supports Rec. 709 and BT-2020 and has dual XQD Memory Card Slots
- Dual HD/3G-SDI & HDMI Output, Ergonomic Handgrip with Camera Controls
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| Video Camera Information | |
| Sensor | Super 35mm Single-Chip Exmor CMOS |
| LCD Screen | 8.8cm (3.5 type) Approx. 1.56M dots |
| Recording Media | 2 x XQD 1 x SD (for configuration data only) |
| Battery | 12 VDC |
| Weight | 4.4 lb / 2.0 kg: Body Only 9.9 lb / 4.4 kg: Body, Viewfinder, Eyepiece, Grip Remote Control, BP-U30 Battery, SELP28135G Lens, an XQD Memory card |
| Dimensions | 6.14 x 9.41 x 9.72" / 156 x 239 x 247 mm |
| Shutter Speed | 1/3 to 1/9000 of a sec |
| Video Resolution | 4K 4096 x 2160 12-bit raw UHD 3840 x 2160 10-bit 4:2:2 XAVC-I 8-bit 4:2:0 XAVC-L 2K 2048 x 1080 12-bit raw HD 1920 x 1080 10-bit 4:2:2 XAVC-I 10-bit 4:2:2 XAVC-L MPEG2 4:2:2 HD 1280 x 720 MPEG2 4:2:2 |
| Image Device | Super 35mm Single-Chip Exmor CMOS |
| Video Recording System | NTSC / PAL |
| Built-in Filters | Clear, 1/4, 1/16, 1/64 |
| Inputs | Audio Input 2 x 3-pin XLR Line/mic/mic +48 Mic Reference: -40. -50. -60 dBu SDI Output 2 x BNC HD/3G-SDI SMTPE292M/424M/425M HDMI 2.0 1 x Type A USB USB device, miniB Headphone 1 x Stereo mini jack -16 dBu 16 Ohms Remote Stereo mini jack (?2.5 mm) |
- Body Cap
- Viewfinder
- Eyepiece
- Grip Remote Control
- Wireless Adaptor Bracket
- BC-U1 Battery Charger
- BP-U30 Lithium-Ion Battery
- 2 x Power Cord
- USB Cable
- LCD Viewfinder Lens Hood
- Limited 1-Year Warranty Parts, 90-Days Labor
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