Where can I use my Samy's Camera Credit Card?
Your Samy's Camera Credit Card can be used to make purchases online, at samys.com, or at any of our Retail Locations.
What are the current special financing offers?
6 Month Special Financing* on orders totaling $199 and above.
12 Month Special Financing* available on orders totaling $599 or more.
Order minimum excludes sales tax, shipping fees, and discounts. To receive special financing, simply pay with the Samy's Camera Credit Card and select the financing option during checkout.
How will I receive my Samy's Camera Credit Card Information?
Applying for an Samy's Camera Credit Card is fast and easy. The application is subject to approval by Synchrony Bank. If approved, we'll automatically add your Samy's Camera Credit Card to your account at checkout. Select the Samy's Camera Credit Card under the payment information to pull up your available account information. You will receive your Samy's Camera Credit Card in the mail within 7-10 business days after applying.
How can I manage my account?
For Samy's Camera Credit Card accounts, you can pay your bill online or modify your account settings by clicking here:
My Account
Can I ship to an alternate address?
All orders must be shipped to the billing address on file for final approval of transaction. We can not ship to an alternate address.
Pay By Phone:
Contact Synchrony Customer Service 24/7 at (866) 396-8254.
Pay By Mail:
To ensure your payment is on time, mail in advance of the payment due date. Send payment to:
Synchrony Bank
P.O. Box 960061
Orlando, FL 32896-0061
Samy's Camera Credit Card, issued by Synchrony Bank.
No Interest if Paid in Full Within 6 or 12 Months*
On purchases of $199 or more (6 months) or $599 or more (12 months) made with your Samy's Camera Credit Card. Interest will be charged to your account from the purchase date if the promotional balance is not paid in full within 6 or 12 months. Minimum monthly payments required.
*All orders must be shipped to the billing address on file for final approval of transaction. Qualifying purchase amount must be on one receipt. A Promo Fee does not apply to this offer. No interest will be charged on the promo balance if you pay it off, in full, within the promo period. If you do not, interest will be charged on the promo balance from the purchase date. The required minimum monthly payments may or may not pay off the promo balance before the end of the promo period, depending on purchase amount, promo length and payment allocation. Regular account terms apply to non-promo purchases and, after promo period ends, to the promo balance. New Accounts as of 7/16/24: Purchase APR 34.99%. Penalty APR 39.99%.Min Interest Charge $2. A promo fee will be charged equal to 2% of the amount financed on an equal payment no interest promotion of 18 months or more. Existing cardholders: See your credit card agreement terms. Subject to credit approval. We reserve the right to discontinue or alter the terms of this offer anytime.
** New Accounts as of 7/31/2025: Purchase APR 34.99%. Penalty APR 39.99%.Min Interest Charge $2. A promo fee will be charged equal to 2% of the amount financed on an equal payment no interest promotion of 18 months or more. Existing cardholders: See your credit card agreement terms.
The Sennheiser HD 280 PRO Closed-Back Circumaural Headphones are a professional monitoring standard used across film, television, audio production, and content creation. The sealed earcup design delivers 32 dB of ambient noise attenuation, making these headphones essential for location sound monitoring where controlling what reaches your microphone input is critical. A portable footprint, user-replaceable components, and a proven design that has remained largely unchanged for decades make these headphones a reliable choice for run-and-gun shoots, studio tracking sessions, and mobile editing work.
The closed-back, circumaural design of the HD 280 PRO creates a sealed acoustic chamber around each ear. This physical design is why these headphones achieve approximately 32 dB of attenuation of ambient noise. That rating matters in practical terms. On a film or video set, you might record dialogue with a lavalier microphone clipped to an actor's shirt. If sound from the headphones bleeds into the microphone input, it contaminates the recording. Closed-back monitoring headphones prevent this problem because the sealed design keeps the audio you are monitoring from reaching nearby microphones.
The accurate, linear reproduction means what you hear in the headphones reflects what is going to tape. Engineers, camera operators, and sound mixers reach for closed-back headphones because the isolation keeps room noise from masking a problem in the feed or flattering a take that is not clean.
When you are monitoring a wireless microphone on location, you cannot always control the acoustic environment. Ambient traffic, wind, other crew members talking, or production equipment creates background noise. The 32 dB noise attenuation of the HD 280 PRO reduces this interference, allowing you to hear the microphone feed clearly enough to catch problems in real time. If a lavalier microphone slip or wind noise develops, you hear it immediately rather than discovering it during playback.
The same benefit applies away from location sound. Podcast hosts recording in untreated rooms, editors working in busy offices, and musicians tracking in shared spaces all get the same thing from the sealed design: less room, more feed.
The rotating earcups and collapsible headband design compress the HD 280 PRO to a compact footprint that fits inside a camera bag, backpack, or case without taking up much space. Field recordists, camera operators running and gunning between locations, and video producers who move between studios and location sets appreciate a headphone that does not demand dedicated hard case real estate.
The rotating earcups also let you wear the headphones flat around your neck between takes, which is standard practice on set when you need monitoring within reach but are not listening. On your head, the same rotation lets each cup settle against the angle of your ear for comfort across a long session.
The strongest case for the Sennheiser HD 280 PRO is serviceability. Sennheiser designed the ear pads, the headband padding, and the single-sided coiled cable as replaceable parts, and it supplies them as spares. That means the headphone is built to be maintained across years of daily use rather than treated as a single sealed unit.
Replacing the ear pads restores both comfort and the acoustic seal, which is what the 32 dB of isolation depends on in the first place: a compressed, hardened pad leaks. Replacing the cable addresses the other component that wears, since a coiled cable that gets stepped on and yanked across a set is the part most likely to develop an intermittent connection. Being able to swap both is why the HD 280 PRO has stayed in studios and on sets for decades, and why buying a pair is a decision that holds up over time.
Camera operators and solo shooters working on location film and video productions monitor wireless microphones and audio inputs through the HD 280 PRO. The isolation and accuracy let them catch issues before they become unusable takes. Sound recordists, audio engineers, and studio producers wear these headphones when tracking vocals, instruments, or dialogue in any environment where preventing headphone bleed into the microphone matters.
Video podcasters and podcast producers use the HD 280 PRO to monitor their voice and guest audio during recording. The closed-back design isolates their own voice from surrounding room noise, so they can focus on content rather than acoustic interference. Video editors and colorists doing rough cuts in busy post-production environments appreciate the isolation, which lets them hear dialogue, music, and effects clearly regardless of what is happening around them. The collapsible design also travels well for editors moving between home studios, offices, and freelance workspaces, folding down alongside the rest of their camera accessories.
The HD 280 PRO attenuates ambient noise by approximately 32 decibels. That means external noise is reduced by that amount relative to what you would hear with open-back or no headphones. In practical terms, this creates a significant reduction in background noise from your environment, which is especially noticeable in loud settings like film sets, offices, or urban locations.
Yes. The HD 280 PRO terminates in a 3.5mm plug with a screw-on adapter for the quarter-inch (6.35mm) outputs found on audio interfaces, mixers, and field recorders. The single-sided coiled cable keeps one side of your head clear and takes up its slack automatically, so it stays off the desk and out of the way of a keyboard. They drop into a video and audio monitoring chain without any adapters beyond the one in the box.
Yes. Sennheiser supplies ear pad kits, headband padding, and cables as separate spares. That means a pair with flattened pads or a worn cable gets refreshed rather than replaced, which is the practical reason these have stayed in service in so many studios for so long.
Wipe the pads down with a dry or barely damp cloth after long sessions, since skin oils are what break down the foam and the covering over time. Store the headphones collapsed in a bag rather than hooked over a mic stand, where the pads sit compressed against the yoke. When the pads flatten enough that the seal feels loose, replace them, because the seal is what produces the isolation.
Yes. They are wired headphones, so on a wireless setup they plug into the headphone output of the receiver or bodypack rather than connecting wirelessly themselves. That is how they are normally used on set, with the receiver on your belt and the coiled cable running up to the headphones.
The Sennheiser HD 280 PRO is a proven monitoring choice for anyone recording audio in the field or the studio. Samy's Camera carries it alongside the microphones, recorders, and monitoring tools that go with it.
