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EOS C100 Mark II Wedding/Documentary Kit

MFR Part #: 0202C029
Samy's Part #: S-044875
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The Canon EOS C100 Mark II Wedding/Documentary Kit offers all of the advantages of its predecessor while adding advanced new imaging and operational features by popular demand. Optimized for one-person use and compatible with the full range of Canon EF, EF-S, and EF-mount CN-E Cinema lenses, this greatly evolved camera integrates the same Emmy®-Award winning Canon Super 35mm CMOS Sensor used in all of Canon's Cinema EOS cameras, but now replaces the Canon DIGIC DV III Image Processor with the more sophisticated Canon DIGIC DV 4 Image Processor. In addition to improved RGB video processing, the camera's dual codec capability supports simultaneous AVCHD and MP4 recording, including 59.94P capture along with slow and fast motion recording. Dual Pixel CMOS AF and Face AF, wireless FTP video transfer, a built-in Canon Log LUT, GPS support and support for an extensive range of workflows, are additional operational features that have been added. A re-designed 270-degree rotating 3.5-inch OLED panel, and a tiltable large-size EVF with large-size eyecup, further empower the camera operator.

The compact, redesigned, lightweight body of the Canon EOS C100 Mark II Cinema Camera Body with Dual Pixel CMOS AF has also evolved, and now includes a built-in microphone, START/STOP buttons clearly labeled in red, transparent covers on its twin SD card slots, improved battery insertion and removal, and an increased number of assignable buttons. Add to this its built-in ND filters, removable rotating pistol grip, removable top handle with twin XLR inputs, built-in stereo mic, and audio controls, and the Canon EOS C100 Mark II emerges as a powerfully evolved Super 35mm Digital HD camera designed to serve your quest for greater freedom of creative expression in HD video production.

FEATURES:

Canon Super 35mm CMOS Sensor
- The EOS C100 Mark II Cinema Camera Body with Dual Pixel CMOS AF employs the same single Super 35mm Canon CMOS image sensor as the rest of the Cinema EOS camera family and includes the same innovative strategies that have established the outstanding image performance of these cameras. This 8.3 megapixel sensor maximizes the size of the individual photosite? each of which deploys two photodiodes to ensure high speed removal of accumulated charge, which in turn helps elevate the effective sensor dynamic range. Allied with innovative Canon signal extraction strategies that enhance the sensor signal to noise performance allows unprecedented elevation of the ISO setting in this professional Super 35mm camera, while always protecting its dynamic range.

Canon DIGIC DV 4 Image Processor - The four 1920 x 1080 HD R Gr Gb B video components from the image sensor are pre-processed and then sent to the DIGIC DV 4 processor for advanced video processing. This includes separate interpolation of the sparsely sampled R and B HD components to form full frame 4K for each. The two green HD components are also interpolated to form a single full frame 4K Green component. These three 4K RGB components are then down-sampled to create a set of YCC 422 HD components that have high MTF, improved edge transitions, low false color moiré, and enhanced overall color reproduction. These components are further processed preparatory to sending them to the AVCHD and MP4 codecs.

Simultaneous AVCHD and MP4 Recording - The EOS C100 Mark II Cinema Camera Body with Dual Pixel CMOS AF enables users to record in both the AVCHD and the MP4 recording formats in a variety of bit rates (up to 28 Mbps and 35 Mbps, respectively), resolutions, and frame rates, including 59.94p, to address practically any production need. Both formats have their own particular advantages. AVCHD is a professional standard that enables long-duration recording of full HD using moderate total data capacities. MP4 has advantages for Web and smartphone sharing. Both formats are easily accepted by most nonlinear editing applications. The EOS C100 Mark II camera's dual SD card slots can record in either or both formats simultaneously and can convert AVCHD and MP4 files into smaller MP4 files for web upload.

Slow and Fast Motion Recording - The EOS C100 Mark II Cinema Camera Body with Dual Pixel CMOS AF can provide slow and fast-motion video effects when recording in the MP4 format. Sound is not recorded, and the feature is not available during double-slot recording. Slow and fast-motion playback speeds can range from x0.4 slow up to x2.5 fast.

MP4 Conversion - This feature allows for converting an AVCHD or MP4 recording on the SD card in the EOS C100 Mark II camera's main slot into a 3 Mbps (640 x 360) MP4 file on the SD card in the alternate slot. This gives users a smaller file that is easier to transmit. MP4 conversion is not possible for MP4 files at 35 Mbps and AVCHD files at 28 Mbps.

Redesigned 3.5-Inch OLED Panel - OLED (Organic Light-Emitting Diode) is a newer display technology that provides vivid colors, high contrast, and dramatically improved responsiveness compared to traditional LCD screens. The 3.5-inch 1.23 megapixel OLED display on the EOS C100 Mark II delivers virtually 100 percent field of view coverage, wide and faithful color range support, and improved viewing even in bright sunshine. The EOS C100 Mark II camera's OLED screen has a new hinge design to help maximize monitoring versatility. The design allows the panel to fold shut when stowed and protect the OLED surface. It can then open 180 degrees to reveal function keys and a joystick, or open further to 270 degrees to deploy against the side of the camera and provide monitoring for directors, producers, or other production personnel.

1.23 Megapixel Tilting Color EVF - Larger and totally redesigned from what was featured on its predecessor model, the EOS C100 Mark II camera's EVF (Electronic ViewFinder) uses a 0.45 inch 1.23 megapixel color panel surrounded by a large professional-style eyecup like the one used on the Canon EOS C300 and EOS C500 Cinema cameras. In addition, the new EVF has a 68 degree tilt angle, allowing it to be used more effectively in a variety of shooting situations.

Dual Pixel CMOS AF - A standard feature of the EOS C100 Mark II Cinema Camera Body with Dual Pixel CMOS AF, Dual Pixel CMOS AF (AutoFocus) ingeniously deploys the two photodiodes within each sensor Photosite to facilitate a powerful phase difference detection that provides measurement data that ultimately controls the EF lens focusing system helps ensure that proper focus is always maintained, even in unpredictable "run and gun" news or documentary-type shooting situations. Dual Pixel CMOS AF operates within the center portion of the frame and is compatible with more than 100 Canon EF lenses.

Face AF Mode - Face AF mode detects and focuses on human faces. Both the Dual Pixel CMOS AF and Face AF capabilities give camera operators more freedom to concentrate on composing their shots and paying attention to potentially unpredictable shooting environments.

59.94p Frame Rate - By popular demand, the EOS C100 Mark II HD Digital Camera can capture 1920 x 1080 HD video at a 59.94p frame rate (59.94p is available in MP4 mode at 35 Mbps and in AVCHD at 28 Mbps). This frame rate can provide captured video with a very "smooth" look that is useful for sports and news applications.

Wireless FTP Video Transfer - MP4 and AVCHD video files (and still images) can be wirelessly transferred to a selected FTP server. This feature is particularly useful for transferring time-critical video for news and for backing-up files. The feature uses the 5GHz band for quick, reliable file transfers. Up to 100 files can be selected to transfer at one time.

Built-In Microphone - A monaural "mono" microphone is built into the body of the EOS C100 Mark II Cinema Camera Body with Dual Pixel CMOS AF for the capture of reference audio, for spoken notes, or as an aid to synching sound in post. This microphone works only when the removable top handle with twin XLR inputs is not attached.

Built-In Canon Log LUT - Many filmmakers prefer to shoot in Canon Log to protect the integrity of the total dynamic range of which the image sensor is capable, which, in turn, can provide greater latitude in post-production grading processes. As the picture is being monitored during Canon Log-enabled shooting, however, the image seen will not accurately represent its final "look". A built-in LUT (Look-Up Table) in the EOS C100 Mark II can be applied to facilitate viewing the video live on a monitor connected to the camera's HDMI® output in a more visually appealing Wide DR (Dynamic Range) or BT.709 (television standard) color space. The Canon Log LUT feature can be turned on or off in the camera's menu.

Red Record Buttons - There are three start/stop record buttons on the EOS C100 Mark II Cinema Camera Body with Dual Pixel CMOS AF (one on the front of the camera, one on the removable pistol grip, and one on the detachable top handle) and all are red for bright visibility. Besides aiding with quick identification, this industry-standard color helps reduce the chance of accidentally stopping a recording.

New Ergonomic Re-Design - The EOS C100 Mark II Cinema Camera Body with Dual Pixel CMOS AF features a compact design for comfortable use by a single operator. Subtle but important modifications for smoother operator comfort include indentations around control buttons and a recessed power switch.

Outstanding Low Light Sensitivity and Wide Dynamic Range - The combined performance of the camera's Canon Super 35mm CMOS sensor and DIGIC DV 4 Image Processor achieve a very high signal-to-noise ratio that enables recordings with great detail and dynamic range even in minimal light. This advanced performance yields a maximum ISO speed of 102,400 and a wide dynamic range with up to 12 stops.

Full Manual Control and Focusing Aids - Digital filmmakers preferring complete manual control have that ability with the Canon EOS C100 Mark II Cinema Camera Body with Dual Pixel CMOS AF. Shooters can also create, save, and recall custom picture settings, camera functions, and display options. Highly effective built-in Focus Aids to confirm critical focus can be displayed on both the tilting EVF and folding OLED monitor, including Peaking (white, red, blue, yellow) and a magnification function that can be shifted to 25 locations across the image. Also included is an Edge Monitor feature, which shows red and green displays at the bottom of the OLED panel with three red focus-check areas shown. The green waveform shows overall focus of the image while the red waveform shows the focus status of the focus-check boxes. Through this dynamic focus feedback technology shooters can intuitively tune focus or quickly change the zone of focus.

Removable Pistol Grip and Top Handle with XLR Inputs and Stereo Mic - The removable top handle on the Canon EOS C100 Mark II Cinema Camera Body with Dual Pixel CMOS AF integrates a built-in tally light, stereo microphone, dual XLR audio inputs for stereo recording, and a mic mount. Audio is captured in16-bit 48 kHz linear PCM format or Dolby Digital. A compact array of audio-level dials and channel/input switches built into the handle (under a hinged clear plastic protective cover) enables shooters to select signals from the built-in stereo mic or mics attached to the XLR inputs and adjust the gain independently on a channel-by-channel basis. Users can also power a wide range of audio-capture devices with the XLR inputs phantom power supply.

HDMI Out with Time Code - The Canon EOS C100 Mark II Cinema Camera Body with Dual Pixel CMOS AF includes a screw-locking HDMI connector for output of live HD video from the camera to monitors or other devices. The camera's HDMI signal features superimposed SMPTE time code for attachment to recorders or other third-party devices.

Canon RC-V100 Remote Controller - An optional Canon RC-V100 Multi-Function Remote Controller can be connected to the camera via its remote control cable to adjust image quality and other settings from a distance. This can also be a handy feature when shooting from a crane, jib arm, or mounted remotely in some other inaccessible location.

Canon GP-E2 EOS GPS Receiver - An optional Canon EOS GP-E2 GPS Receiver can be connected to the camera using a USB cable to provide precise location and time information during shooting. This capability can support editing and archiving functions.



The Sennheiser AVX Lavalier Wireless Set (ME2 Lavalier) is the perfect digital wireless microphone for film projects. The system fully self configures and is ready to film within seconds. Its ultra compact receiver fits directly into the XLR audio input of your camera or recording device. The bodypack transmitter and lavalier microphone is ideal for hands-free interview and documentary situations.

The AVX-ME2 SET includes a bodypack transmitter with lavalier microphone, the plug on receiver and all accessories to operate out of the box with camcorders as well as DSLR cameras. It features self configuring digital transmission which eliminates time-consuming radio frequency setup. The ultra compact receiver rotates around the XLR connector to avoid collision with other devices mounted on your camera. It switches on and off automatically with your camera - saving battery power.

The AVX matches perfectly to your camera's input sensitivity without having to adjust the audio level on the microphone. From professional wedding video to documentaries, from street interviews to corporate videos, the AVX just works allowing you to concentrate on creativity.

Features:
  • Very fast setup
  • Plugs directly into XLR audio input
  • Ultra compact receiver
  • Switches on/off by P48 Phantom power
  • Optimized dynamic range
  • Auto frequency management
  • AES 256 encryption
  • License free
  • Accessories included for DSLR use
  • Metal housing
  • Made in Germany


Capture shots with DJI Ronin-M 3-Axis Handheld Gimbal Stabilizer that are impossible with any other setup. Switch effortlessly between the 3 modes of operation, without adjusting any settings or needing a 2nd operator remote.

Weighing just 5 pounds (2.3kg), about half the weight of the original Ronin, the slimmed down Ronin-M is small enough to fit into your backpack and take anywhere, yet strong enough to support camera setups weighing up to 8 pounds (3.6kg). Save time and start shooting professionally stabilized video in less than 5 minutes.

Mount your camera to the Ronin-M, quickly balance it, and then tap a button. The upgraded ATS (Auto Tune Stability) technology is more precise than before and completes the tuning and balancing processes with no tools necessary. It is easy and efficient. Capture tight shots, even when you have almost no space to work, and easily transport your Ronin-M. The top handle bars quickly and easily twist off, allowing you to minimize its size, achieve different shooting configurations, and pack or unpack it in seconds.

Your Ronin-M stands up to rugged use in any filming environment. Featuring a superbly strong and rigid magnesium frame, the Ronin-M brings increased stiffness and reduced weight. Notoriously difficult to manufacture and mold, magnesium brings you a new, more exact shooting experience while maintaining easy maneuverability and increasing options on set. Increased rigidity is provided by a single, complete piece of fine-tooled magnesium that forms the U-shaped arm holding the camera plate. Only made possible by DJI's large manufacturing reach and expertise, this unified design eliminates imperfections that are common in systems made of multiple pieces assembled together. This arm gives you not only greater stability but also reliability, as there is no potential for separate pieces to come loose or move apart. Even with only one operator, SmoothTrack technology ensures the Ronin-M translates your movements into smooth camera angle changes. Your camera intuitively faces the direction you want, all while completely stabilized, no matter how you move. SmoothTrack settings from speed to deadband to acceleration are fully customizable, and 'Single Axis Follow Mode' enables you to lock two axes while SmoothTrack guides your camera along only one axis of motion.

The Ronin-M supports dual-operator shooting, much like working with a jib that has a motorized pan/tilt head. In this mode, a second operator would use the included transmitter (radio controller) to manually control camera pan and tilt independently of which way the Ronin-M itself moves. The included transmitter/receiver system operates on 2.4 GHz and is proprietary. If you prefer to use a third-party transmitter there is a D-Bus port on the Ronin-M to install your own receiver. As with sled and vest style stabilizers, motorized gimbal systems require balancing before use. Once balanced, you can configure the Ronin-M for your particular camera arrangement using the Assistant Software for compatible iOS and Windows (Desktop) devices with Bluetooth. Because every camera and lens combination has a different mass and weight distribution, there is an ATS (Auto Tune Stability) procedure in which each axis will adjust individually, repeating the process until all three are aligned. A gimbal tuning stand is provided so you won't have to hand-hold the rig during this process.

FEATURES:
  • Underslung Mode: Film effortlessly and comfortably in the most common shooting mode, holding the Ronin-M directly in front of you at chest level.
  • Upright Mode: Shoot at or above eye-level by flipping and lifting the lightweight Ronin-M above your head. This mode is perfect for shooting out of a car's sunroof or above a crowd of people.
  • Briefcase Mode: Filming in narrow spaces or moving through a doorway is effortless with Briefcase mode. Turn the gimbal vertically and hold it by your side close to your legs, just like a briefcase.
  • Long Battery Life: Film all day, until you get every shot, with the Ronin-M's smart battery and a runtime of over 6 hours. Overcharge and over depletion protection is built in, as is individual cell charge balancing. Remaining power is shown by clear LEDs and in the Assistant mobile app.
  • Powerful Motors Precision Control: Designed with high performance in mind, the Ronin-M's brushless motors are incredibly precise and powerful while maintaining low vibration and increasing torque. Industry-leading accuracy is increased even further with Digital Absolute Positioning Encoders in each axis, and a much larger range of controllable motion on both the tilt (105⁰ Up, 165⁰ Down) and roll (± 110⁰) axes.
  • Silent Mode: When shooting indoors or in tight spaces, a new Silent Mode reduces the sound of each motor to almost inaudible levels. The Ronin-M's stabilization algorithms are instantly changed to focus on strength for minute changes and stabilization, ensuring the sound of the motors is not recorded by sensitive microphones or other recording equipment.
  • Second Operator for Impossible Shots: Capture anything you can imagine with a second operator controlling the camera's movements as the first operator moves around set. Achieve perfect framing and complete more complex camera movements by working together and making your camera's motions completely independent of the person holding it.
  • Mounts to Anything: Easily mount your Ronin-M with a quick-release system that is compatible with a wide range of universal connections. Remove the top bar assembly in seconds and put your Ronin-M on a jib, crane, tripod, or anything else.
  • Power Your Tools: A dedicated power distribution box keeps wiring to a minimum while providing power to your key accessories. Two regulated 12V P-taps, one 500mAH full-size USB connector, and a DJI Lightbridge connector enable you to connect and provide power to everything you need.
  • One Bluetooth App: Change settings on the go with the simple DJI Assistant app that links to your Ronin-M over Bluetooth. Auto Tune, adjusts your favorite settings, monitor the status of your Ronin-M, and customize SmoothTrack in seconds.
  • Future-Proofing With Upgradable Firmware: Take advantage of new features and updates by downloading the latest firmware online and updating your Ronin-M instantly.
  • Compatible Thumb Controller: Gain more control over your camera's motions with a built-in receiver that is fully compatible with the optional DJI Ronin Thumb Controller. Point the camera in any direction and save preset settings for fast, easy operation.

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Digital Cinema Camera Information
Sensor Super 35mm CMOS (24.6 x 13.8 mm) (28.2 mm diagonal)
Processor DIGIC DV 4
Effective Megapixels 8.29 megapixels (3840 x 2160 pixels)
Megapixels 9.84 megapixels (4206 x 2340)
Lens Mount EF Mount
Minimum Subject Illumination 59.94 Hz: 0.3 lux
50 Hz: 0.25 lux
Video Resolution 1080 HD
System Type NTSC & PAL
Simultaneous REC./Relay REC. yes
Compatible Memory Card Secure Digital (SD/SDHC, SDXC) Card
Peripheral Illumination Correction On supported Canon EF, EF-S, and Cinema lenses
Shutter Speed 59.94i/: 1/60 to 1/2000 in 1/4 or 1/3 stops; SLS: ¼, 1/8, 1/15, 1/30; CS: 59.94 Hz - 250.51 Hz

PF30: 1/30 to 1/2000 in 1/4 or 1/3 stops; SLS: ¼, 1/8, 1/15; CS: 29.97 Hz - 250.51 Hz

23.98p/PF24: 1/24 to 1/2000 in 1/4or 1/3 stops; SLS: 1/3, 1/6, 1/12; CS: 23.98 Hz - 250.51 Hz

50i: 1/50 to 1/2000 in 1/4 or 1/3 stops; SLS: 1/3, 1/6, 1/12 1/25; CS: 50.00 Hz - 250.51 Hz

PF25: 1/25 to 1/2000 in 1/4 or 1/3 stops; SLS: 1/3, 1/6, 1/12; CS: 25.00 Hz - 250.51 Hz
White Balance Auto, Kelvin, Daylight, Tungsten, Set A, Set B White balance shift is available within Presets (-9 to +9)
Sensitivity 320 to 102,400 in 1/3-step increments
LCD Screen Size 3.5"
Focus Type Auto & Manual
Built-In Microphone Monaural microphone in camera body
Stereo microphone in Handle Unit
Remote Connection LANC compatible
Power Supply 7.4 V DC (battery pack: BP-955)
8.4 V DC (DC IN)
Dimensions Body with Thumb Rest: 5.3 x 6.7 x 5.1 in (13.5 x 17 x 12.9 cm)
Body with Grip: 7.2 x 6.7 x 5.1 in (18.2 x 17 x 12.9 cm)
W/ Thumb Rest and handle: 5.6 x 11.1 x 9.3 in (14.2 x 28.1 x 23.6 cm)
W/ Grip and handle: 7.2 x 11.1 x 9.3 in (18.2 x 28.1 x 23.6 cm)
Weight Body only: approx. 2.2 lb (1.0 kg)
Grip: approx. 8.1 oz (230 g)
BP-955 Battery: 7.8 oz (220 g)
Media Format SD/SDHC/SDXC
  • Grip
  • Camera Cover
  • Handle Unit
  • Thumb Rest
  • TB-1 Tripod Adaptor Base
  • Shoulder Strap SS-1200
  • BP-955 7.4V Lithium-Ion Battery Pack (5200mAh)
  • CA-930 Compact Power Adapter
  • DC Cable (for CA-930)
  • 2 x AC Cables
  • CD-ROM with Data Import Utility Ver. 1.0
  • Measuring Hook
  • Limited 1-Year Warranty
  • ME 2 Lavalier Mic
  • AVX Digital Bodypack Transmitter (CH 8: 1920 to 1930 MHz)
  • AVX EKP Camera Plug-On Digital Wireless Receiver (CH 8: 1920 to 1930 MHz)
  • Ronin-M Transmitter (Controller)
  • Ronin-M 4S Battery
  • Battery Charger
  • Handle Bar
  • Tuning Stand
  • Cable Pack
  • Micro-USB Cable
  • Camera Mounting Plate
  • 2 x Camera Screw A (1/4 In.-20)
  • 2 x Camera Screw B (3/8 In.-16)
  • 2 x Camera Screw C (1/4 In.-20)
  • 2 x Camera Screw D (3/8 In.-16)
  • Lens Support Screw
  • Lens Support
  • 3 x Allen Wrenches
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