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EOS C100 Mark II Cinema EOS Camera with Triple Lens Kit

MFR Part #: 0202C010
Samy's Part #: S-036211
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The Canon EOS C100 Mark II Cinema EOS Camera with Triple Lens Kit provides you with the compact 1080p EOS C100 Mark II camera and a set of three fast f/2.8 Canon L-Series zoom lenses covering wide to telephoto focal lengths on the camera's Super 35mm-sized CMOS sensor. The EOS C100 Mark II is an updated version of the C100 that incorporates Dual Pixel CMOS AF technology that enables continuous autofocusing with compatible Canon lenses. This provides faster and more accurate autofocusing to assist users when operating with small crews.

The Canon EOS C100 Mark II Digital HD Camera offers all of the advantages of its predecessor while adding advanced new imaging and operational features by popular demand. Optimized for one-person use and compatible with the full range of Canon EF, EF-S, and EF-mount CN-E Cinema lenses, this greatly evolved camera integrates the same Emmy®-Award winning Canon Super 35mm CMOS Sensor used in all of Canon's Cinema EOS cameras, but now replaces the Canon DIGIC DV III Image Processor with the more sophisticated Canon DIGIC DV 4 Image Processor. In addition to improved RGB video processing, the camera's dual codec capability supports simultaneous AVCHD and MP4 recording, including 59.94P capture along with slow and fast motion recording. Dual Pixel CMOS AF and Face AF, wireless FTP video transfer, a built-in Canon Log LUT, GPS support and support for an extensive range of workflows, are additional operational features that have been added. A re-designed 270-degree rotating 3.5-inch OLED panel, and a tiltable large-size EVF with large-size eyecup, further empower the camera operator. The compact, redesigned, lightweight body of the Canon EOS C100 Mark II Digital HD Camera has also evolved, and now includes a built-in microphone, START/STOP buttons clearly labeled in red, transparent covers on its twin SD card slots, improved battery insertion and removal, and an increased number of assignable buttons. Add to this its built-in ND filters, removable rotating pistol grip, removable top handle with twin XLR inputs, built-in stereo mic, and audio controls, and the Canon EOS C100 Mark II emerges as a powerfully evolved Super 35mm Digital HD camera designed to serve your quest for greater freedom of creative expression in HD video production.

In addition to Dual Pixel CMOS AF, the Mark II adds a variety of upgraded features including face detection AF, MP4 recording, additional frame rates when recording in AVCHD, and slow & fast motion options when recording in MP4. The Mark II also features an additional microphone on the camera body for recording sound when the top handle is removed. It incorporates a 3.5" OLED display with increased resolution, and the EVF is now almost twice as large as on the original C100 and is tiltable. The Mark II supports GPS and features built-in wireless functionality. The HDMI output supports timecode, as does the original C100, but it also supports Canon Log LUT. The EOS C100 Mark II uses the same Super 35mm Canon CMOS sensor as its big brother, the C300, but uses a Digic DV 4 processor. With an EF lens mount, the camera is compatible with the full range of Canon EF, EF-S, and EF Cinema lenses. This is particularly useful for DSLR shooters who have already invested in Canon lenses. The camera uses the AVCHD codec to record 1080p video up to 24 Mbps. It supports dual SD/SDHC/SDXC memory cards which, thanks to the efficient AVCHD codec, allowing you to record nearly three hours of HD video on a single 32GB card. For professional applications, you can also record clean, uncompressed 4:2:2 video with embedded timecode via the HDMI output. Additional features such as One-Shot AF and Push Auto Iris allow operators to spend less time checking camera settings and more time capturing cinematic footage.

The EF 16-35mm f/2.8L II USM Lens from Canon is a high performance, water-resistant, ultra wide-angle L-series zoom lens. An f/2.8 maximum aperture is effective in low light situations and offers shallow depth of field focus control. The optical design has been improved to offer better edge-to-edge image quality. In addition, it features 3 high-precision aspherical lens elements, each of a different type: ground, replica and GMo. Its ultrasonic motor (USM) and improved AF algorithms will help the lens to focus faster and quieter. Precise manual focus is supported even in One Shot AF mode and a truly round aperture results in pleasing background blur.

This redesigned EF 24-70mm f/2.8L II USM Lens from Canon ups the ante for optical performance for a professional standard zoom lens. It has one Super UD lens element and two UD lens elements that minimize chromatic aberrations in the periphery at wide-angle, as well as reducing color blurring around the edges of the subject. In addition, two types of aspherical lenses are combined to help reduce spherical aberration over the entire image area, as well as through the full zoom range. Optimized lens coatings help ensure exceptional color balance while minimizing ghosting. A ring-type USM and high-speed CPU with optimized AF algorithms ensure silent, fast autofocusing. The lens is constructed with improved dust sealing and water resistance, while fluorine coatings on the front and rear lens reduce fingerprints and smearing. A circular 9-blade diaphragm gives beautiful, soft backgrounds. A zoom lock lever locks the zoom position at the wide end for safe transporting while attached to an EOS DSLR camera over the shoulder.

The EF 70-200mm f/2.8L IS II USM Lens from Canon improves upon its predecessor, one of the most acclaimed lenses in the Canon EF line, with superior performance, increased speed and optical quality. This lens construction consists of one fluorite and five ultra-low dispersion optical elements which help deliver the sharpness and reduced aberrations. The IS II Optical Image Stabilizer provides up to 4 stops of correction at all focal lengths and features two modes for stabilization of still objects and while panning to follow moving subjects. An ultrasonic focusing motor provides fast, smooth and silent autofocus action. This lens has a minimum focusing distance of 3.9' (1.2 m) at all zoom settings so you can shoot close to your subject even in smaller spaces. Like all Canon L-series lenses, this telephoto zoom is dust and moisture resistant and designed to keep on going even in the most challenging of environments.

Features:
  • Dual Pixel CMOS AF Technology: The Continuous AF (Autofocus) function for all autofocus lenses, using Dual Pixel CMOS AF technology. A new AF Lock setting also lets you change the image framing while holding the desired focus. This feature is ideal for users who regularly shoot with smaller crews, who shoot moving subjects, or who want smoother, more natural-looking autofocus. Dual Pixel CMOS AF technology features a CMOS sensor that consists of an array of pixels that each feature two separate photodiodes. By continuously comparing their outputs during AF mode, phase-difference autofocus helps ensure non-blurred images and smooth focus transitions even when the talent and/or camera are moving. The new feature places a high priority on maintaining sharp focus while providing a natural, smooth autofocus movement with select Canon EF lenses - including newer-generation STM lenses - which offer even smoother and quieter operation.
  • Continuous Recording: The continuous, nonstop recording function allows you to create In and Out points in the footage every time the START/STOP button is pressed. At this time, the continuous recording function is compatible with Grass Valley's EDIUS Pro 7 software.
  • 320 to 102,400 ISO Range: With an extended ISO range from 320 to 102,400, the EOS C100 Mark II is even more sensitive to light than its predecessor. This lets you shoot usable footage during low-light and night shoots, even when using available or ambient lighting as your main light source. Being able to operate under lower light levels means you can work quickly with smaller crews and resources, ideal for low-budget and independent filmmakers.
  • Menu Navigation via Camera Buttons: Internal camera menus are now controllable from buttons on the camera body. While previously a removable joystick was the only way to control the internal menus, now buttons on the rear of the camera under the built-in monitor can be used. This lets you access the menus when the side grip is removed.
  • Viewfinder Magnification Location Shift: Manually move the center of the camera's magnification viewing area to one of 25 different locations throughout the image frame using the joystick. Now camera operators can easily check focus even on subjects that are located away from the center of the image frame.
  • Record Button Lock: The Key Lock setting now makes it possible to lock all operations, including the record button. This helps to prevent accidental operation during a critical shoot by the operator inadvertently pressing a wrong button
  • Super 35mm 8.3MP CMOS Sensor: The Super 35mm-sized sensor provides an angle-of-view and depth of field that equivalent to that of traditional Super 35mm film. With a native resolution of 8.3MP and a wider pixel pitch than conventional professional camcorders, the sensor offers enhanced sensitivity and reduced noise in low light environments.
  • DIGIC DV 4 Image Processor: Designed and built by Canon for the highest HD RGB processing, the DIGIC DV 4 Image Processor uses proprietary circuits and architecture to deliver the highest image quality at the highest speeds, with low power consumption and minimal heat output. It processes the RGB representations that originate in the single CMOS sensor of the camera into three channels (Red, Blue, and Green) to maintain the rich resolution and clean color fidelity formerly possible only in three-chip sensor designs.
  • Low Light Sensitivity: Working together, the Super 35mm sensor and DIGIC DV 4 Image Processor achieve a high signal-to-noise ratio that enables recordings with great detail and dynamic range even in minimal light.
  • Canon Log Gamma and Wide DR Gamma: Canon Log records an image with subdued contrast and sharpness, which preserves a high dynamic range and presupposes color grading in post production. Canon Log Gamma emphasizes rich gradients from mid-range to highlights, resulting in 12-stops of dynamic range. At ISO 850 and above, Canon Log Gamma enables 5.3 stops of latitude above optimal exposure (and 6.7 stops below), broadening the available dynamic range in color grading.
  • Wide DR Gamma yields wide dynamic range by suppressing brightness while maintaining gradations, but is designed to produce finished-looking images without requiring any color grading in post-production.
  • EF Lens Mount with EF Contacts: The camera is fully compatible with Canon's renowned EF mount lenses. Even specialty lenses, such as Canon's 24mm f/3.5L II tilt shift lens or the 8-15mm f/4L Ultra-Wide Zoom fisheye lens. When shooting with EF lenses, the camera features peripheral illumination correction, which automatically compensates for light fall-off in the corners of the image.
  • Multiple Recording Modes and Frame Rates in AVCHD: The camera supports AVCHD bit rates up to 24 Mbps (LPCM) at a maximum resolution of 1920x1080. Frame rates of 59.94p, 50p, 59.94i, 50i, 24p, 25p, PF30, and PF24 are all available to meet the needs of your production workflow. It supports relay recording of long takes between dual SD cards or can write video to both cards for redundancy in the event of SD card failure. Pre REC mode buffers approximately three seconds before the tally light activates.
  • Multiple Recording Modes and Frame Rates in MP4: The C100 Mark II supports recording in 1920 x 1080p recording to MP4, at multiple frame rates, and also supports 720p and 640 x 360 frame sizes.
  • Uncompressed HDMI Out with Timecode & Canon Log LUT Support: Outputting an uncompressed signal via HDMI. This signal can superimpose timecode and the 2:3 pulldown marker, which means an external recorder and converter can process the HDMI output as an SDI signal. External recorders provide an instant back-up and help to streamline post-production workflows. The HDMI output also supports Canon Log LUT output.
  • Compact and Ergonomic Design: Designed with the solo shooter in mind it is 85% the size of the Canon C300, and it is based on a mobile core design that allows additional accessories to be attached depending on the situation. Strip the camera down for a "run-and-gun" style, or complement the camera with the full range of camera-mounted accessories. With a compact body, you can even shoot dual-camera 3D without an over-sized and cumbersome rig. Its light weight reduces user fatigue and allows even elaborate rigging systems to remain mobile enough for a single operator. The removable accessory hand grip rotates 360 degrees for comfortable shooting positions, while customizable hardware buttons allow the camera to fit your own personal shooting preferences.
  • Removable Top Handle with XLR Inputs and Stereo Microphone: Including a top mounted handle unit, which features two XLR connectors and a microphone shock mount. XLR connections offer a high quality audio input for professional grade microphones and facilitate 2 channel 48kHz linear PCM (24 Mbps) audio recordings.
  • High Resolution EVF and Integrated OLED Display: Accurately check focus, composition, and exposure with the 1.23 million dot-equivalent 0.45" electronic viewfinder with 100% coverage. The built-in 3.5" 1.23MP equivalent OLED panel tilts 100 degrees for flexibility when composing tough perspective shots and rotates 180 degrees to protect the screen when not in use. Use the LCD display to review footage or to view the camera's waveform monitor.
  • AVCHD or MP4 File Based Recording to SD Cards: The camera records video to SDHC/SDXC cards using AVCHD, a high-efficiency codec that has quickly become a standard in both the professional and consumer video markets. Maximum bit-rate is 24 Mbps. Video files greater than 2GB are split into multiple files while recording, which are automatically joined together upon import using Canon Data Import. AVCHD video is widely supported across NLE systems and is the standard codec for Blu-Ray.
  • The camera records using the MP4 codec, and can record in fast motion (25% faster) or slow motion (40% slower) in MP4 recording mode.
  • Full Manual Control and Focusing Aids: The camera offers complete manual control of each aspect of the recording process. Create and recall custom picture settings, camera functions, and display options. The camera also features several powerful and intuitive focusing aids in both the EVF and LCD monitor that make it easy to confirm critical focus distance; Peaking Modes and Magnify Focus Modes are available while in standby or while recording. Additionally, the LCD features Edge Monitor Display; green waveform display the overall focus of the scene and red waveform provide focus feedback of the three focus check boxes visible on the LCD monitor.
  • One Shot AF and Push Auto Iris: One-Shot AF executes focus adjustments with a dedicated button, and the Push Auto Iris button automatically adjusts the aperture of the lens to quickly and easily maintain proper exposure. Both of these functions can be accessed even when operating in manual mode.
  • Built-In ND Filters: In excessively bright environments neutral density filters are often required to avoid over exposure, without compromising desirable shutter and aperture settings. It features built-in ND filters in three densities, which make for four ND configurations (OFF, 2 stops, 4 stops, 6 stops). The built-in ND filters are deployed via a manual dial.
  • Remote Terminal: Remotely control the camera via its LANC-compatible remote terminal. Remote operation allows for single-person operation even in creative rigging situations.
  • Waveform monitor; standard and RGB modes
  • Exposure/Focus aids: Peaking, Zebra, Magnify, Edge Monitor Focus Assist, Black and White Mode
  • Drop Frame (DF) or Non-Drop Frame (NDF) Timecode
  • Timecode modes: Regen, Record Run, Free Run
  • Nice Customized Picture Profiles available in camera and up to 20 can be saved to an SD card
  • Custom picture profiles can be adjusted using the following settings: Gamma, Black, Black Gamma, Low Key Saturation, Knee, Sharpness, Noise Balance,Color Correction, Setup Level
  • 15 assignable function buttons
  • SMPTE, EBU, or ARIB standard color bars can be selected

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Video Camera Information
Camcorder Type Cinema EOS Camera
Sensor Super 35mm CMOS (24.6 x 13.8 mm) (28.2 mm diagonal)
Lens Canon EF mount with EF contacts
Viewfinder 0.24 inches (0.61 cm) color, 960x540 resolution 1,560,000 pixels
Recording Media 2 x SD/SDHC/SDXC card slots
Stabilization Optical & Digital
Battery 7.4 V DC (battery pack: BP-955)
Megapixels 9.84 megapixels (4206 x 2340)
Kit Lens 1 Information
Mount Details Canon EF
Focal Length 16 - 35mm, Comparable APS-C 1.6x Focal Length: 25.6 - 56 mm
Aperture Range f/2.8 - f/22
Minimum Focusing Distance 11.2 In. (28 cm)
Filter Size 82 mm
Groups 12
Elements 16
Angle Of View 108 - 63 degrees
Weight 1.4 lb (635 g)
Groups / Elements 12/16
Kit Lens 3 Information
Mount Details Canon EF
Focal Length 70 - 200mm, Comparable APS-C 1.6x Focal Length: 112 - 320 mm
Aperture Range f/2.8 - f/32
Filter Size 77 mm
Groups 13
Elements 13
Angle Of View 34 - 12 degrees
Weight 3.28 lb (1.49 kg)
Groups / Elements 13/19
Kit Lens 2 Information
Mount Details Canon EF
Focal Length 24 - 70mm, Comparable APS-C 1.6x Focal Length: 38.4 - 112 mm
Aperture Range f/2.8 - f/22
Minimum Focusing Distance 1.25 ft. (38 cm)
Groups 13
Elements 18
Angle Of View 84 - 34 degrees
Weight 28.40 oz (805 g)
Groups / Elements 13/18
  • Handle Unit
  • Thumb Rest
  • Tripod Base
  • Shoulder Strap SS-1200
  • BP-955 7.4V Lithium-Ion Battery Pack (5200mAh)
  • CA-940 Compact Power Adapter for EOS C300 & C300 PL Camcorders
  • AC Cable
  • DC Cable (for CA-930)
  • CD-ROM with Data Import Utility Ver. 1.0
  • EF 16-35mm f/2.8L II USM Lens
  • E-82U Front Lens Cap
  • Lens Dust Cap E (Rear)
  • EW-88 Lens Hood for 16-35mm f/2.8L II USM
  • Lens Case LP1319
  • EF 24-70mm f/2.8L II USM Lens
  • E-82 II 82mm Lens Cap
  • Lens Dust Cap E (Rear)
  • LP1219 Soft Lens Case
  • EW-88C Tulip Lens Hood for EF 24-70mm f/2.8L II USM Lens
  • Limited 1-Year Warranty
  • EF 70-200mm f/2.8L IS II USM Lens
  • E-77U Lens Cap
  • Lens Dust Cap E (Rear)
  • ET-87 Lens Hood
  • LZ1326 Lens Case
  • Tripod Mount Collar
  • Strap for Lens Case
  • Limited 1-year Warranty
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